In Row Over Parthenon Sculptures, Greece Says Britain Showing ‘Lack of Respect' 

A photograph shows the Parthenon Temple at the top of the Acropolis hill in Athens on November 28, 2023. (AFP)
A photograph shows the Parthenon Temple at the top of the Acropolis hill in Athens on November 28, 2023. (AFP)
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In Row Over Parthenon Sculptures, Greece Says Britain Showing ‘Lack of Respect' 

A photograph shows the Parthenon Temple at the top of the Acropolis hill in Athens on November 28, 2023. (AFP)
A photograph shows the Parthenon Temple at the top of the Acropolis hill in Athens on November 28, 2023. (AFP)

Greece's government on Tuesday accused Britain of showing "a lack of respect" by abruptly cancelling a meeting between their leaders at short notice in a dispute over ancient Greek sculptures brought to Britain in the early 19th century.

British Prime Minister Rishi Sunak cancelled a planned wide-ranging meeting with his Greek counterpart Kyriakos Mitsotakis after the latter raised the decades-old demand for the return of the Parthenon sculptures from the British Museum.

"This is not common, we are trying to find a precedent and we can't," said Pavlos Marinakis, a spokesman for the Greek government. "It shows a lack of respect to the prime minister but also to the country he represents."

Greece has repeatedly asked the British Museum to permanently return the 2,500-year-old sculptures that British diplomat Lord Elgin removed from the Parthenon temple in the early 19th century when he was ambassador to the Ottoman Empire.

About half the surviving marble works are in London, and the rest in a museum under the Acropolis in Athens.

Appearing on the BBC over the weekend, Mitsotakis compared the separation of the sculptures to cutting the Mona Lisa in half, a characterization rejected by British government.

Marinakis said the planned talks between the two leaders were meant to have been on global issues, including the wars in Gaza and Ukraine, migration and the climate crisis.

Sunak's decision to cancel the meeting was also criticized by some British opposition parties and a campaign group backed by British politicians from different parties who want to resolve the issue.

The group, the Parthenon Project, has proposed a deal that would see the sculptures reunified in Athens - without Britain and Greece needing to agree on who owns them.

Ed Vaizey, a former Conservative culture minister who advises the group, said that Sunak's action was a "plot twist" given Britain's previous stance that resolving the issue was a matter for the British Museum itself.

"The prime minister has put himself at the front and center of row that he didn't really need to put himself at the front and center of," Vaizey told Sky News.

"I don't think the prime minister needed really to intervene in this way and it hasn't particularly helped our relationships with Greece."

Sunak's office on Monday said Britain's relationship with Greece was "hugely important" and that the two countries needed to work together on global challenges.



Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage
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Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

Ministry of Culture Unveils New Typefaces Inspired by Saudi Heritage

The Ministry of Culture announced the launch of two new typefaces, the Al-Awwal and the Saudi. Both typefaces, which celebrate the Kingdom’s culture, will be available to individuals and organizations wishing to use them in formal, design, artistic and creative works, according to SPA.
The Ministry of Culture worked to implement the Al-Awwal and the Saudi typefaces, inspired by using the distinctive artistic features of Arabic script, to preserve the characteristics of early calligraphy and inscriptions. Al-Awwal is a thoughtful reimagining of a handwriting style that takes many of its cues from the inscriptions of the first Hijri century. The Al-Awwal typeface integrates modern calligraphy techniques to closely emulate the letter forms in the early stages of development, connecting the present with the origins, foundations and early history of the region.

The Saudi typeface is partly inspired by Al-Awwal and embodies creative ingenuity whilst maintaining the aesthetic of the Kingdom’s historical heritage.
Minister of Culture Prince Bader bin Abdullah bin Farhan said: "The launch of the Al-Awwal and Saudi typefaces is a tribute to the Kingdom's vast cultural and aesthetic heritage. Each typeface serves as a bridge between the past and the present, merging traditional elements with contemporary design principles. This harmonious blend not only honors the Kingdom’s legacy but also inspires innovation.”
The development of the two typefaces began with a historical foundation and archaeological elements, representing the ancient Arabic writings, and reflecting the style of ancient scripts. Both typeface designs are based on creative thinking and interdisciplinary integration among manuscript studies, art history, linguistics, design and digital programming. Designed to celebrate the beauty of Arabic calligraphy, these typefaces enhance aesthetic proportions and spacing between letters, words, lines, dots and diacritics.